Lend me your ear

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Listening to audiobooks in the car allows me to indulge in those I do not have the time to read. Audio versions are also useful for people living with impaired vision

I’ve had some interesting comments from readers following my recent mentions of listening to audiobooks. I spend a lot of time driving and use that time to catch up on books that I otherwise would not get to read. One book led me to anger (about serial killers that was so awful that I stopped after the first chapter) but I have thoroughly enjoyed most of the others, including Bill Bryson’s Road to Little Dribbling. However, I did notice a few errors here and there, most notably Bryson’s narrator’s mispronunciation of the word ‘Minoan’ when referring to that famous ancient Greek civilisation. The reader kept saying ‘MinoNan’.

Leni Ella writes: “I listen to books in the car as so much driving is involved with the job. Some people read audiobooks like it’s the first thing they’ve ever read. Having said that I’ve listened to some absolute beauties too.”

She adds: “The Dutch House read by Tom Hanks was like being read to by a friend because his voice is so singular and familiar. Both the Obama books were excellent and inspiring listens and I also enjoy Sara Cox reading her own stuff.”

I do find that when writers narrate their own work, it is much more meaningful because it adds an extra dimension that you do not get through written words on a page. Through their voice, you hear their emotions and feelings as they read the sentences they have composed. It particularly comes across in autobiographies, where the writers are revisiting experiences and memories they have actually lived through. I first realised this when listening to Dave Grohl’s autobiography, The Storyteller (Grohl is the lead singer of the Foo Fighters, a band on my bucket list to see which I achieved earlier this year). Hearing him recall certain events in his life in his own voice where his tone, speed and volume would change depending on what he was reading, made the whole book burst with life. You could hear his emotion at the birth of his children, the shock and grief when Kurt Kobain died, the unbridled thrill of doing his first stadium concert,

Clare Powell, a self-confessed ‘ranter’, says: “I am new to audiobooks. I’m enjoying David Mitchell (the comedian) ranting in ‘Thinking About It Only Makes It Worse’ (having listened to his ‘Unruly’ first). He is a magnificent ranter but also an amusing historian. I highly recommend it.”

In the same column I referred to Bill Bryson’s condemnation of grammatical errors made by people who should know better.

Clare went on: “My guilty failure when writing is the excessive use of the exclamation mark!! However, my English teacher told us that creative writing allowed for certain grammatical ‘hiccups’. The rule is not to start a sentence with ‘and’, ‘but’ etc., but sometimes it is acceptable. He then quoted from a very famous piece of literature which, over 40 years later, I have no hope of remembering! I do remember his words of wisdom though.”

Lynne Wheatley confesses: “I am one of those people who just can’t enjoy audiobooks.” But my column did bring to mind her 1940s school days: “Our English teacher in 1947 was a demon. You did it her way, no deviation, spelling mistakes written out 100 times. I was an avid reader so soon got the hang of correct English. My first job was proof reading, and I loved it. My ‘driving nuts’ is spelling mistakes, especially on social media. I remember way back, with my small grandchildren, when they would write in schoolbooks with spelling mistakes. I used to point out the odd error, but was told, “Oh it doesn’t matter as it’s not an English lesson.” WHAT? I could see my English teacher turning in her grave. I must say, you’ve whetted my appetite, I might yet try the audio.”

It has occurred to me that audiobooks are a clever way for people who have problems with their eyesight to enjoy books they can’t see. Not everyone who has impaired vision knows how to read Braille, and I’m sure many of you who used to see perfectly well but no longer can, will miss being able to indulge in a good book.

My last paragraph then obviously begs the question, how are you reading this column? Maybe it’s time that I did an audio version.

Do you have opinions, memories or ideas to share with me? Get in touch with me via the ‘Contact’ tab at the top right of this page.

This column appeared in the Darlington & Stockton Times on Friday 6th Dec and the Ryedale Gazette and Herald on Wednesday 4th Dec 2024

The word is not enough

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I have been listening to Bill Bryson’s audiobook on my travels, which was has been very entertaining

I have been contacted by a reader named Ron who, commenting on my recent ranty column about people getting their words wrong, said: “It reminded me of a local writer who was critical of another local writer (who was, by then, dead so could not respond). The comment was about the first writer having (and I quote) ‘no less than eight grammatical errors on one page’. Oh dear (I won’t insult your intelligence by telling you where he went wrong).”

If you are a writer who dares to show your work publicly, you open yourself up to an extra level of scrutiny. We have to be careful when criticising other writers because eagle-eyed critics will be waiting with pens poised in readiness to tear us down as soon as we slip up (although eight grammatical mistakes on one page IS a lot).

I happily admit (as my column revealed) that I am not perfect. In case you haven’t read it, I had a rant about people confusing the words ‘perverted’ and ‘perverse’. I had always believed that ‘perverse’ was when something happened that was the opposite to expectations, while ‘perverted’ was something that was sexually depraved. Therefore, when people used ‘perverse’ when they meant ‘perverted’ it really wound me up. Turns out, ‘perverse’ CAN also mean sexually depraved, so I was wrong and had to force feed myself humble pie.

I am also not perfect when it comes to grammar and am guilty of beginning sentences with ‘So’, ‘As’, ‘But’ and ‘And’. The grammar I was taught at school is just a hazy memory and I rely on my gut to tell me if I’m wrong, which it does now and then. Despite having a successful career as a prolific writer, my dad was not perfect either and having failed his English O’level, his understanding of the English language was largely self-taught.

My rant was inspired by an audiobook about serial killers by a so-called ‘TV psychology expert’. I barely got past Chapter One, not because of the ‘perverse’ v. ‘perverted’ hoo-ha, but because it was just rubbish. I switched to listening to Bill Bryson’s ‘The Road to Little Dribbling’, his sequel to the hugely successful ‘Notes from a Small Island’. He is American born but has lived in England since 1974 and has dual citizenship. His observations about the cultural quirks of our nation are hilarious, and this one I do recommend you try.

There were a few times that he had his own rant about English language usage and was scathing about people who muddled up ‘me’ and ‘I’. I shrank down a bit in my seat knowing that his list of offenders could include me (not I) too.

But (there I go again…) there were certain things in the reading of this book that were incorrect. In Mr Bryson’s defence, he was not narrating it himself, and on the whole the reader did a very good job. However, he did drop the odd clanger, the most notable being his pronunciation of ‘Minoan’ when referring to Knossos Palace. The narrator said ‘MinoNan’. The first time he said it, I let him off, because when you’ve read a whole chapter almost flawlessly, it must be an absolute pain to start again for the sake of one small mistake.

However, it turned out to not be one small mistake, and he said ‘MinoNan’ every single time it appeared. How could he get something as famous as the Minoan Civilisation wrong? Or was it his script that had it wrong? And (yep, another…) who had given the OK for it to be published with such a glaring error? It was not the only spoken error, but the one that most irked me.

While I’m on the subject of audiobooks, it would be remiss of me not to take the opportunity to drop in a shameless plug: if you haven’t listened to the Constable series by a certain Nicholas Rhea narrated delightfully by Philip Franks who starred in Heartbeat, then what are you waiting for?

And (there I go yet again) having listened to them all, there is the odd error here and there, particularly on some Yorkshire place name pronunciations, but I’m not going to be too critical.

After all, there but for the grace of God go I.

This column appeared in the Darlington & Stockton Times on Friday 15th Nov and the Ryedale Gazette and Herald on Wednesday 13th Nov 2024