Tag: england

The legacy of lost things

1-100_0612
A clock face made by reader David Severs’ ancestor Hugh Pannell with the herringbone pattern around the outer edge of the dial and around the name boss, along with the rare ‘Clock & Watchmaker’ inscription.

I’ve had some more feedback from readers following the column I wrote about the stones marked with the herringbone pattern typically used in the construction of traditional North Yorkshire moorland homes. Reader John Severs had referred me to a book entitled ‘Life in the Moorlands of North-East Yorkshire’ written in 1972 by Marie Hartley and Joan Ingilby. There was a section on this specific type of masonry along with some photographs featuring a well-known local family, the Weatherills.

Another reader, John Buckworth, has emailed to say: “Good to read your article re. Mr G. Weatherill. We were a customer of his some years ago and a great admirer of his craftsmanship. I pass his stone yard at Ainthorpe quite frequently and still see the antiquated home-made crane to lift the headstones. Also there’s a piece of carved stone on his wall depicting a fox’s mask, brush and hunting horn. Most country people followed the hunt and I find this a great tribute to the past way of life. Being now in my 80s I am a great admirer of country life and your father’s writings.”

He added: “I think the old crane was built by his grandfather…There are some very fancy and OTT headstones. However when my wife’s father died, he was a man of the soil and we walked into the stone yard at Ainthorpe and there was a piece of rough Yorkshire sandstone which fitted the man admirably.”

My editor at the Darlington and Stockton Times, Hannah Chapman, spotted something relevant on a weekend walk: “I was walking on the Cleveland Way yesterday (north from Lordstones café) and I’m sure I spotted a stone in the path with the grooved diagonal pattern you wrote about in the Chop Gate area. Could the old stones from houses in the area have been used to build paths?”

I think Hannah probably has a point – why not reuse stones from the tumbled down moorland buildings in the construction and repairs of our public walkways?

I also received a couple more stories about ‘lost things’ and how difficult it is to discard a lone earring. Monica Ganz contacted me all the way from America about a bracelet her mother had given her: “It had a daisy as a charm. I loved it, because the daisy was painted yellow and white…I was delivering newspapers on my bike and somehow the Daisy fell off, never to be found again. When I was older in my 20s, I was water skiing. I wore these cute little gold huggy earrings that had small diamond on them. Of course…the earring popped off…I still have the bracelet and the one earring…Why do we lose treasured items? Hard to know why, right? And it’s hard to part with them.”

I wonder if it is more the memories and feelings that are held within the precious item that makes it hard to let go?

David Severs from Northallerton had his own fascinating story too: “You might be interested to know that in Saywell’s ‘History and Annals of Northallerton’ he recounts how a gardener’s newlywed wife had lost her wedding ring in their garden and 14 years later, in 1796, it was found when a customer cut into a turnip and found the ring inside.”

David also mentioned how the herringbone pattern was used in the decoration of clocks and watches: “Herringbone engraving was used on the brass dials of long-case clocks in the early years of the 18th-century in London … said to be a sign of quality. Some clockmakers used it until about 1740. My ancestor Hugh Pannell, the Northallerton clockmaker, was in business until he died in 1788. I have traced well over 100 of the clocks he made and many of them have herringbone engraving. Most clockmakers decorated the spandrels on their brass dials (the corners) with cast-brass decoration; a few engraved the spandrels; and even fewer left them undecorated: Hugh did all three…Most of his dials have herringbone engraving somewhere. Incidentally on the photograph (seen here) he described himself as ‘Clock & Watchmaker’ and this is very rare indeed. In very many years I have found only one example by one other clockmaker whereas I have found five examples by Hugh Pannell, three of these dials now being in the USA.”

I’d love to hear from you about your stories, memories, opinions and ideas for columns. Use the ‘Contact’ button on the top right of this page to get in touch.

This column appeared in the Darlington & Stockton Times on Friday 9th  and the Ryedale Gazette and Herald on Wednesday 7th August 2024.

A night to remember

The interesting bricks on a property i visited near Chop Gate caught me eye
The bricks had zigzag marks on them which reader Linda Harman says were created by the tools used to make them

I have had a pleasing update following my appeal for help to find out more about King Henry’s Night. I had been contacted about a year ago by Linda Chambers from the Rosedale History Archive asking if could find anything out about it after an elderly gentleman had told her about the custom that centred around young people going out on a particular night and meeting up with likely suitors. Try as I might, I could find no reference to it in my usual trusty sources, such as my dad’s study, his books and the National Newspaper Archive.

However, Linda herself read my piece and got back in touch saying: “I happened to be at Ryedale Folk Museum last week to look at their exhibition ‘Believe It Or Not’ which highlights the folk traditions and witchcraft which were once very much part of moors life. I happened to see a panel which described The Kissing Ring, a charming old tradition where young people gathered outside late on a summer’s evening. It is believed this was last performed in Rudland in the 1930s when 40 young men and women held hands and danced in a ring singing the words which I have attached. The circle gradually diminished as couples broke away with a chosen partner and the young man would walk the girl home. I think we have the answer to King Henry’s Night!”

And having read the words to the ditty, I think Linda must be correct. They are as follows:

‘King Henry was King James’s son

And all the royal races ran

Upon his heart he wears a star

Right away to the ocean far

So choose to the East

And choose to the West

And choose the one that you love the best

If he’s not there to take her part

Choose another with all your heart.’

So it is likely those who took part in The Kissing Ring would have referred to the occasion as ‘King Henry’s Night’ thanks to the words of the song they would sing.

Linda adds: “While I was there, I bought the booklet, published by the Esk Valley News, which adds detail to what is seen in the exhibition – an excellent read, and I recommend the exhibition to anyone interested in our local folklore. It is so easy to lose sight of local traditions and stories, many of which must now be forgotten.”

It’s true that if we did not have places like the Ryedale Folk Museum, or indeed columns like this discussing old traditions and folklore, then such things will be lost. We should all support local museums and local newspapers in a world that seems to be being taken over by technology. Nothing can compete with real people telling us about real memories, because once they are gone it will be too late.

On the subject of preserving local history and traditions, I had the pleasure recently of travelling to a house up near Chop Gate for work. It was a beautiful old farmhouse that commanded glorious views south across the valley towards Bilsdale.

It was built in the early 1800s out of large stones in varying shades of sand and gold. But what caught my eye were the distinctive markings. They looked like they had been carved with a repeating arrow pattern, a little bit like the skeleton of a feather or a fish. Every stone carried this pattern, and it was as if they had been painstakingly hand-sculpted to create a beautiful effect, and one I believe is peculiar to this part of the world.

I know the pattern was not created by some frustrated sculptor working as a bricklayer, but that it is more to do with the way the bricks were made, thanks to friend Linda Harman who explained: “They cut the clay brick shape then take excess clay off with a brush which makes that pattern.” And Irene Sykes, who lives on the North York Moors, adds: “I think local quarries were excavating different types of stone and so they dressed the stone they excavated using different methods.”

Do you know any more about how these stones were made, and the local quarries they came from? Perhaps you had a relative who was a stone mason. Do get in touch as I’d love to know more!

I’d love to hear from you about your opinions, memories and ideas for columns. Use the ‘Contact’ button on the top right of this page to get in touch. This column appeared in the Darlington & Stockton Times on Friday 28th and the Ryedale Gazette and Herald on Wednesday 26th June 2024.