A fledgling emergency

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(This column appeared in the Darlington & Stockton Times  on 15th June, & the Gazette & Herald on 13th June 2018).

I was on a dog walk this morning when I came across a scruffy, chubby little chick perched by the side of the path. Every now and then, he’d give a few cheeps and look about himself in bewilderment, as if saying, “How on earth did I get here? And now what am I supposed to do?”

I had visions of him bravely leaping out of his nest into the unknown, and landing in unfamiliar territory without any notion of how to take off again. He didn’t look very happy, and I wondered if I ought to help him in any way. I couldn’t spot his parents anywhere.

In years gone by, I would have stood there agonising about what to do, fearing he’d be a tasty meal for the next passing cat. But one of the benefits of the modern age is that we have technology at our fingertips. So I took out my phone and Googled ‘What to do if I find a baby bird’. Those clever people at the RSPB came to my rescue, having dedicated a whole page on their website to just such a emergency.

For those you who don’t know, they say: “It’s common in spring and summer to find young birds sitting on the ground or hopping about without any sign of their parents…interfering with a young bird like this will do more harm than good.” It goes on to say they will not have been abandoned by their parents, who will either be watching unseen, or gathering food, and that you should leave them as they they are. “Removal of a fledgling from the wild has to be a very last resort – then only if it is injured or has definitely been abandoned or orphaned.”

So, thanks to my phone, I was very quickly reassured that I was doing the right thing by simply leaving it where it was, despite its anxious chirping and my worries about dastardly feline predators.

He was quite a chunky, round, fellow, with pleasantly dishevelled feathers, a tell-tale sign that he was just a youngster. He was mostly dark brown, yet speckled with dashes of light brown, and my gut instinct told me he was a baby blackbird, although I wasn’t sure. I took a few photos to look it up on my return, and, sure enough I was right. I think my dad would have been pleased. My countryside knowledge is growing by the week!

Dad just loved the nature that surrounded him, and he described June as a ‘beautiful time’ in his column from 17th June 1978. He goes on to talk about its reputation of being a ‘dry’ month, and the long-range forecast in that year predicted it would live up to that reputation. “However,” he adds, “We must not overlook the possibility of heavy downpours – indeed they’ve already come!”

Which is pretty much the same as now, with the first few days of June being as Dad described 40 years ago. I’ve checked the long-range forecast for this month too and it is strikingly similar, predicting mostly dry weather with the occasional heavy downpour.

He goes on to explain that is also known as the month of the ‘haysel’, an ancient word no longer in use, and not found in any of his trusty dialect glossaries. It refers to the period of gathering in the hay, when the ripe grass is cut, dried and carried into the barns for storage. When Dad was a boy, it was a time of great communal activity, and the whole village would turn out to help the farmers gather in their hay before the next heavy downpour. The farmer’s wife would provide a ready supply of drinks to the thirsty workers, including beer and cider, although according to Dad, the rather unappetising-sounding ‘cold tea’ was more commonly drunk.

Dad’s favourite part was once they were in the yard, when him and the other small children would launch themselves into the barn and, as it was in the days before bale machines, make dens and hiding places in the fresh, warm grass as it was unloaded off the carts. He notes that by 1978, almost all of the hay-gathering was done by machinery, and wistfully observes, “Haysel has gone from our language; I wonder how long it will be before haymaking as we knew it also disappears?”

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That Old Chestnut

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(This column appeared in the Darlington & Stockton Times  on 8th June, & the Gazette & Herald on 6th June 2018).

One of the best things about being a countryside writer and regular walker of dogs is that I have the enormous privilege (which I never take for granted!) of being able to get outside most days and appreciate the amazing county I am so fortunate to live in.

Today, as I write this, the sun is beaming down and I have been on two good walks where I took the time to really examine the rural world around me. At the moment, the footways and hedgerows are positively brimming with wild flowers and blossoms against a backdrop of vivid and vibrant greens and a walk surrounded by such natural splendour is truly therapeutic. To me, a few doses of this each week is as good as any medication.

And it isn’t just a treat for the eyes. Whenever I pass the stunning pink dog rose, the scent that fills the air is just sublime, and it never ceases to amaze me that such beauty can be found in our wild and uncultivated places.

One of the floral displays that most impresses me around this time of year has to be that of the horse chestnut tree (Aesculus Hippocastanum). I find it truly stunning. I play tennis for a village team, and right by the courts is possibly the most beautiful example I have seen. Last Monday night, I couldn’t help but look at it between points, it was so eye-catching (although I didn’t let it distract me too much to not win the match!) and it seems my dad felt the same way about these glorious trees. On 10th June 1978, he wrote: ‘One of the most striking of our trees is the horse chestnut, with its multitude of candles, as the flowers are so often called. No other tree can put on such a magnificent display of flowers, unless we include the cultivated ones.” And he is right. The sight of a horse chestnut festooned with countless cone-shaped blooms makes it appear like a giant candelabra lighting up the countryside.

At the start of the season, from a distance the blossom appears creamy-white, thanks to the yellow splash at the centre of each white bell-shaped flower head. These bee-friendly blooms are actually very clever, as once they are pollinated, the splash turns vibrant pink to alert approaching insects to the fact they have already been pollinated and so there is no point in visiting them. I’m sure our endlessly busy worker bees are very grateful for this time-saving tip-off. Once the flowers begin being pollinated, the whole tree appears to transform from creamy white to pale pink.

You will see a red variety of horse chestnut (Aesculus x carnea) dotted about the countryside and our open spaces, but is less numerous and generally much smaller than the common horse chestnut. It was introduced into this county from Germany in around 1820 as a hybrid between the common tree and the shrub Aesculus Pavia (or red buckeye). Like its larger relative, it also produces conkers in September and October, but they are usually smaller and housed in less prickly casings than the standard variety.

Both trees are beautiful when in full bloom, but which is your favourite? I must say, for me, the common white variety can’t be surpassed.

I’d like to say a couple of thank you’s here to two readers. I’m afraid I couldn’t decipher the name of the first (it might be AW Grant?) but they sent me a lovely card and in response to my question about butterfly names (May 2nd) they enlightened me on the fact that the Glanville fritillary butterfly is named after 17th century entomologist Lady Eleanor Granville, who was an expert on the creatures.

The second reader is Edith Bennison, from Stokesley, who sent me a lovely letter of condolence, and told a funny story to cheer me up about her son. He was on a visit to North Yorkshire Police Headquarters with his sister, when, much to his sister’s embarrassment, he told the following joke to the room full of policemen:

‘Where do policemen live?’

‘999 Letsbe Avenue!’

Edith says: “Well my daughter was hoping the floor would open up and swallow her…but the policemen just burst out laughing!”

Well that old chestnut certainly did cheer me up. So thank you Edith!

Follow me on Twitter @countrymansdaug

ENDS

No need to get ratty

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(This column appeared in the Darlington & Stockton Times  on 1st June, & the Gazette & Herald on 30th May 2018).

I was driving home late one night along one of our quiet country lanes when a great big rat dashed out of the verge and scurried across the road in front of me, its long pink rubbery tail illuminated by my headlights. This is not the first time it has happened, and I always experience an involuntary shudder every time it does.

It makes me wonder why I am so squeamish around rats. I don’t have the same feeling about mice – I recently caught one outside my back door that I found investigating my recycling boxes. I managed to trap it in a plastic tub, and it was so tiny and cute that there was no way I could possibly destroy it, so I released it into some nearby fields (I can hear the seasoned agricultural contingent among you groaning!).

But rats have always suffered from a ‘bad boy’ image, and are regularly depicted as the villains in children’s fiction. Famously they are the worst fear of George Orwell’s unfortunate hero from ‘1984’, Winston, who has to face them through a cage secured to his head in the dreaded Room 101.

It’s possible that this common fear stems from the belief that rats were to blame for the devastation caused by the Black Death. In the mid-fourteenth century, it killed 25 million people across Europe, and even more during later resurgences. The speed of the spread, so it was believed, was due to infected fleas that lived on rats.

But now we know they may well have been unfairly vilified, as a study published in January in the Proceedings of the National Academy of Science (PNAS.org) showed that it is more likely that it was down to human fleas and body lice. Poor old rats having to shoulder the burden of that reputation for so long!

In my dad’s column from 3rd June 1978, he talks of the old custom of ‘rhyming rats to death’. I have to confess that I have never come across that phrase, but according to Dad, it was an Irish belief that rats in the fields and on rural farms could be rendered unconscious if you talked to them in rhyme. No particular poem is mentioned as having these soporific qualities, but Ben Jonson, the English poet and dramatist, wrote: “Rhime them to death, as they do Irish rats,” and Shakespeare also referred to the belief when Rosalind, in As You Like It, says: “I was never so be-rhymed since Pythagoras’ time, that I was an Irish rat.”

Dad also quotes this fascinating little ditty:

“The rat, the cat and Lovel our dog,
Rule all England under a hog.”

This seemingly innocuous verse was in fact a searing criticism of those in power at the time it was written in 1484, and was found pinned to the door of St Paul’s Cathedral and other prominent places all over London. The rat was King Richard III’s confidante, Sir Richard Ratcliffe, the cat was Speaker of the Commons William Catesby, and Lovel was Viscount Lovel, who had a reputation for being the king’s ‘lap dog’ or ‘yes man’. King Richard’s emblem was a white boar, hence the reference to a hog.

The poet was ultimately unmasked and found to be wealthy landowner William Collingbourne, a fierce opponent of the king, and he paid a heavy price for writing those few words as he was put to death for treason.

Despite the general dislike among the population towards rats, they are actually supposed to make very good pets. When I was at school, one of my classmates used to bring his white rat into class, and he was a most well-behaved and tame thing, who would sleep in master’s blazer pockets during lessons, so the teacher never knew he was there.

Domesticated rats are known as ‘fancy rats’, coming from the term ‘animal fancier’, and there are numerous professional breeders and a whole community of rat fanciers, with an estimate of about 100,000 pet rats in the UK. They have a reputation for being cleverer than a dog, and more hygienic than a cat. They are sociable, affectionate, trainable, and easy to keep, and if the National Fancy Rat Society (nfrs.org) is to be believed, they are the best of the rodent population to keep as a pet.

So I have one remaining question then – can you take them for a walk?

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Dawn – a chorus or a cacophony?

 

 

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The blackbird often leads the chorus, like an avian Gareth Malone
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And early bird in full song

(This column appeared in the Darlington & Stockton Times  on 18th May, & the Gazette & Herald on 25th May 2018).

The insomniacs and early risers among you will have noticed that as the mornings are getting lighter, so the noise produced by our energetic bird population is getting louder.

I have a love-hate relationship with the dawn chorus, depending how much sleep I’ve had during the night. If I’m well rested, then it’s like uplifting music to gently come round to. After a wakeful night, however, it’s more like an unpracticed school orchestra warming up in my garden.

Like the call of the cuckoo I mentioned last week, the arrival of the dawn chorus is another sign that winter is behind us. The chorus is predominantly made up of male birds looking for love, and those with the loudest songs quickly attract partners. The bird produces his tune from an organ called the syrinx, and a lusty syrinx draws the females like bees to pollen. His spirited birdsong saps much of his energy, and so not only does he have to be fit, but he must be an excellent hunter to ensure he has enough food to keep his strength up. So if he can be heard above the other members of the chorus, discerning females will assume that he is likely to not only father healthy chicks, but also be a reliable source of sustenance for the growing family.

The dawn chorus season lasts from late April through to early June, and once a bird has secured his lady love, he is no longer required to sing so loudly. So as the season progresses, fewer birds take part. It’s likely that you will hear the odd bird singing a lonely tune at dawn late on in the season, but sadly he’s probably been saddled with an inadequately-performing syrinx and as such, is destined to remain single and loveless.

As my dad explains in his column from 20th May 1978, there’s an order in which the birds sing the daily chorus, and more often than not it’s the blackbird who starts them off. He is one of our finest songsters and, like the bird equivalent of Gareth Malone, he leads the feathered choir melodiously towards the new day. Soon his contemporaries, such as the song thrush, the wood pigeon, the robin, the turtle dove, the pheasant, the willow-warbler, and the wren all join in.

As the sun comes up, the chorus diminishes, usually lasting from half an hour before to half an hour after sunrise. This is because that once the day has fully dawned, then the insects, seeds and nuts that the birds feed upon become easier to spot. The sounds that you hear during the day are mostly bird calls which are a type of communication, such as alerts to danger, disputes between rivals, or messages to one another.

There’s quite a difference between birdsong and bird calls. Calls are short, simple sounds, whereas songs consist of a more complicated and longer sequence of notes. There is some debate about whether birds can sing just for the sake or enjoyment of it. But when I watch a blackbird in full throttle near the top of the poplars by my house, he certainly looks to be enjoying himself.

The dawn chorus is a phenomenon that happens all over the world, and the first Sunday in May is now International Dawn Chorus Day where we are invited to get up early and appreciate one of nature’s most entertaining performances. The day came about in the 1980s when broadcaster and environmentalist Chris Bailey hosted a birthday party at 4am specifically so that his guests would enjoy the dawn chorus, and it grew from there, with 80 countries now participating. Events are organised all over the UK by bodies such as the Wildlife Trust, the RSPB and the National Trust, so that we can all learn to appreciate the wonder of such a spectacle.

As I’m writing this a few days before Sunday 6th May, I’m yet to make up my mind whether to rise early or not, as in recent days, I have already heard the dawn chorus several times thanks to a doggie guest who seems to want to make sure I don’t miss it! So, as he will have gone home by Sunday, I might just take the opportunity to grab a much needed sleep in!

 

All a flutter in the garden

 

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Me, far left, with my siblings in our 1970s flower-filled garden
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My mum with my brother in the garden in front of a bed of nasturtiums
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The once common small tortoiseshell butterfly is now under threat

(This column appeared in the Darlington & Stockton Timeson 4th May, & the Gazette & Herald on 2nd May 2018).

It’s always a bit of thrill when I look back to my Dad’s columns and find myself mentioned. On 6th May 1978, the 10-year-old me had found a caterpillar and wanted to know which butterfly it would turn into. It was an inch long, had two sets of short legs, six at the front and eight at the rear, with rows of yellow dots running the length of its pale green body. The head was small and green too.

Dad couldn’t identify it at first glance, but, as is still the case today, his study was stuffed full of reference books which he called upon, and sure enough, within minutes we had identified it as the caterpillar of the Meadow Brown butterfly.

The Meadow Brown is one of the UK’s most common and prolific butterflies with mainly brown wings, in the middle of which are what look like beady black little eyes with tiny white pupils. The females can be distinguished by their obvious splash of orange towards the tips of the upper wings. They emerge from their chrysalis’ around late June and are active over the summer months.

Sadly, some of the 59 treasured UK butterfly species are not faring so well. In fact, butterflies are one of the most threatened groups of wildlife in the country, with two-thirds of their species in decline.

Last year, the small tortoiseshell, once one of our most populous varieties, was placed on Countryfile Magazine’s list of the ten most endangered animal species in Britain, alongside natterjack toads and red squirrels. The reason was its rapid recent decline of 77% over the ten years up to 2013. Year after year of wet springs and summers, which some attribute to global warming, have led to a serious decline in its natural habitat.

Other perhaps less well known species also fared very badly over the past couple of years. In 2017, the Grizzled Skipper and the Grayling suffered their worst year since records began. Grizzled Skipper numbers have halved since the 1970s, and Grayling numbers are down 63% over the last decade.

The Cabbage White was one of those I saw most often growing up, and so was sad to learn that it is in a state of long-term decline. I do remember a bed of nasturtiums in the back garden which used to be teeming with them. They’d lay their bright yellow eggs on the underside of the leaves, and then soon dozens of caterpillars would appear and feast on them, much to my mum’s aggravation.

But it’s not all doom and gloom. The Red Admiral is up 78% compared to 2016, and the Comma is up an impressive 91%, with both increasing in numbers over the long-term.

The remedy for stopping the decline is pretty straightforward, if not always simple to implement. If their natural habitat is available, then the species will thrive. The thing is though, different species prefer different types of habitat, and not all are easy, or even possible, to replicate.

There are things you can do to attract certain butterflies to your garden and help keep numbers healthy. They need flowering plants right from early spring through to late September (the Internet is a rich source of recommendations), and if you choose different plants, you will attract different species. Place your flowers in warm, sunny spots sheltered from the wind, and put the same plants in blocks together. Increase the life of your flowers with regular deadheading and by mulching with organic compost. Avoid insecticides and pesticides, and also, if you’re buying compost, get one that is peat free. Peat, which is a declining natural resource, is an important habitat for a number of special animals and plants, including the Large Heath butterfly.

Sadly, it’s rather difficult for us to use our gardens to help the most threatened species I mentioned earlier, as their habitats are very different. The Grizzled Skipper thrives in woodland glades, wild grasslands, abandoned industrial sites and even rubbish tips. The Grayling enjoys coastal cliffs, dunes, salt marshes and old quarries. But what we can do is support conservation efforts by raising awareness, volunteering and fundraising.

I can’t end this column without commenting on the spectacular names given to some of these fluttering marvels. Who is responsible for Grizzled Skipper? Was it an old voyage-weary ship’s captain? And what about Mountain Ringlet and Glanville Fritillary? And you can only wonder how Cryptic Wood White and Purple Hairstreak got their names (Source: butterfly-conservation.com).

 

The goat was Cooked

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Captain James Cook, who was born in Whitby
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A replica of The Endeavor near the Whitby coast. Captain Cook’s original vessel was built in the town
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A painting depicting the death of Captain Cook

(This column appeared in the Darlington & Stockton Times on 27th April, & the Gazette & Herald on 25th April 2018).

Following my column in January about mascot goats, I was intrigued to find out from Dad’s column from 29th April 1978 that one of North Yorkshire’s most famous sons had his own companion goat.

Captain James Cook took a goat on one of his famous voyages, and she was so important, that we have a record of her 1772 death, the anniversary of which falls this week on 28th April.

Dad says he didn’t know its name, but “such was the fame of this goat that it was admitted to Greenwich Hospital as a pensioner. My information is somewhat scant on this subject, for I do not know the gender of the animal, nor its age.”

Well of course, that was a challenge to me to fill in some of the blanks about this famous creature, and those of you paying attention might have spotted that I’ve already revealed one fact – the goat was a she.

There was a very practical reason why Cook would take a female goat – she was a constant source of fresh milk. In his time, illnesses were rife among sailors who spent months away at sea with poor hygiene and little access to fresh food or water. Life-threatening illnesses such as dysentery, typhus and scurvy thrived due to malnutrition and dirty, cramped living quarters. Dr Samuel Johnson described the life of a sailor as like ‘being in jail with the chance of being drowned.’

Often, crews would return from long voyages with barely a third of their number alive. Author Jonathan Lamb has written about scurvy several times, and says: “In 1499, Vasco da Gama lost 116 of his crew of 170, in 1520 Magellan lost 208 out of 230, and in 1742, George Anson lost more than 1,300 of his compliment of almost 2,000 – all mainly to scurvy.” (It makes me wonder just how many bodies still lie at the bottom of our oceans?)

Captain Cook’s first global expedition in 1768 was in the Whitby-built HMS Endeavour, aiming to reach Tahiti for the Transit of Venus (where the earth, sun and Venus all aligned), which would help them measure longitude at sea, an opportunity that only came around about once every 125 years. He took with him an elite team of scientists, including an astronomer, two naturalists and eminent botanist Sir Joseph Banks.

It was Banks to whom the goat belonged, and it had already circumnavigated the globe with him, so had well-honed sea legs. In Robert Chamber’s 1864 Book of Days, a compendium of interesting facts, he mentions this famous goat and calls it simply ‘The Well-Travelled Goat’, so it’s not surprising my dad couldn’t find out its name.

Cook was determined to change the bad habits of his sea-faring predecessors by implementing a strict regime of discipline and hygiene, and carried the best nutrition possible. It was already known that citrus fruit could prevent scurvy, but they had no way of preserving the fruit on board. Instead, Cook ensured his men were very well fed, taking along vast quantities of sauerkraut, and whenever they landed in port, they stocked up on as much fresh fruit and green vegetables as possible.

Previously, sailors were used to using excrement-filled slop buckets in their filthy living quarters to relieve themselves, but Cook set aside a specific area on the ship for a toilet. Severe punishments were meted out to those caught going to the loo anywhere else and there was a regimented cleaning rota to ensure the ship was kept as clean and bug-free as possible.

It has been reported that Cook lost none of his men to scurvy on any of his three epic sea voyages, and although that fact has been disputed, it is clear that the health and wellbeing of his men were top priorities. Undoubtedly he had a far better survival rate than most and set the standard for successors to follow.

As for the goat, she was rewarded for her loyal service by being allowed to graze out her days among the green pastures of Kent. Her high status was reflected in an engraved silver collar which the grateful Sir Joseph Banks bestowed upon her. Dr Samuel Johnson himself wrote the latin inscription which, once translated, read:

“In fame scare second to the nurse of Jove,
This goat, who twice the world has traversed round,
Deserving both her master’s care and love,
Ease and perpetual pasture now has found.”

(Sources: captaincook.org.uk, mediographia.com, wellcomelibrary.org (Nicola Cook), bbc.co.uk)

A bird in the hand

 

 

This column appeared in the Darlington & Stockton Times on 23rd March 2018, & the Gazette & Herald  21st March 2018.

I was very fortunate to be invited to the York Bird of Prey Centre in Huby for the launch of the Tourism Association of North Yorkshire (TANY) 2018 visitor guide. TANY is a small, independent organisation that relies on volunteers, and does sterling work in promoting our region, especially Ryedale, Hambleton and the North York Moors, to support local businesses in attracting valuable tourists to our beautiful part of the world.

I’d contributed an article about my dad, which is why I was asked along. What I didn’t expect was to be able to sit among the birds as they flew freely around us, tempted by morsels of meat placed in certain spots. We were invited to handle the birds ourselves, and I got up close and personal with a stunning barn owl, a southern crested caracara (a type of falcon), a sweet tawny owl and a majestic golden eagle. We were taught about the valuable education and conservation work the centre does, and learned that the birds get hours of free flying time outside of their aviaries every day (I must admit, I was wondering about that!).

It’s a rare privilege to be able to get so close, and really made me appreciate just how amazing these birds of prey are. My parents were both (and my mum still is) keen bird watchers, and had installed several nesting boxes and feeders in their garden, keeping binoculars by the window so they could observe the daily antics of their feathered friends. They were both very knowledgeable and could instantly identify most birds that visited.

I can’t remember them ever mentioning a white blackbird though. In fact, until this week when I read my dad’s column from 25th March 1978, I had no idea they even existed. But apparently so, as a reader had written to ask Dad if white blackbirds were rare. Dad remembered having seen one in the grounds of the Bowes Museum in Barnard Castle. I assumed this would have been some kind of albino, but not necessarily, as, with help from the RSPB, I’ve discovered that some birds are simply lacking in the pigment that colours the feathers.

Further research revealed that the colouring of birds is in fact quite complicated, and just because a bird appears to be iridescent blue or green in colour does not mean they have blue or green feathers. In fact, the colour is created by the light being reflected off the complex structure of the feathers, making them appear blue or green. These are known as ‘structural’ colours. The true colour of many iridescent feathers is actually brown. So, for example, if you see a kingfisher in low light, it will often appear dark in colour. Blacks, browns, chestnut-reds and yellows are created by melanin, a pigment which does colour the actual feather and also influences the intensity of the hue. Other colours are created by the process of the underlying pigment combining with a structural colour. For example some parrots have an underlying pigment of yellow that interacts with a blue structural colour, which then makes the parrot appear green.

Anyway, back to our unusual white blackbird. Occasionally, the normal process that produces a bird’s colour breaks down, which can result in no pigmentation, or patchy pigmentation. A brief search on the Internet throws up pictures of all sorts of wonderful patterns on the blackbird’s feathers, from pure white, to black with a white head, collar, breast or tail, white with black spots, black with white spots, or even black with white ‘go-faster’ stripes down the side.

Often the captions on these pictures mistakenly describes them as ‘albino’ or ‘part-albino’. As far as I am aware, it is impossible to be ‘part-albino’. All vertebrates can be affected by albinism, which is a genetic mutation leading to reduced or complete absence of the pigment melanin which is responsible for colouring skin, hair, eyes, fur and feathers. The difference between a white blackbird and an albino blackbird is that albinos have pink or red eyes rather than black, because the lack of pigmentation means the blood can be seen. They will also have pale skin, legs, feet and beaks.

I saw recently wildlife artist and fellow columnist Robert Fuller’s wonderful video of the white stoat in his garden. I’d love to find out if readers have spotted any other unexpectedly white creatures in their gardens, or out and about. Sadly, I have yet to clap my eyes on the elusive white blackbird.